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Theatre to the Point

Theatre #tothepoint for DC, MD & VA

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Theatre to the Point Best of 2017: Professional Theatre

As the first year of Theatre to the Point comes to a close we wanted to recognize the best of what we saw in 2017. We were paying audience members at a limited number of shows this year and in the future as our site grows we expect these yearly reviews to be a far more comprehensive overview of the best our region had to offer.

Best Musical:

The Wild Party – Constellation

We were wild about this Constellation production. Stellar performances and great value for money led us to declare it was “one of the must see shows of the season”

Review

Best Play:

Peter and the Starcatcher – Maryland Ensemble Theatre

We loved this bold and imaginative show. Quality small professional theatre at community theatre prices.

Review

Best Value Show:

Big Fish – Keegan

There was some great value this year and this was a close run race. With a +$17 rating Big Fish was the big value.

Review

Best Actor in a Musical:

Kevin McAllister, Coalhouse Walker (Ragtime) – Ford’s

Best Actress in a Musical:

Kari Ginsburg, Kate (The Wild Party) – Constellation

Best Actor in a Play:

Zach Brewster-Geisz, Dixon (Oblivion) – Unexpected Stage

Best Actress in a Play:

Nora Achrati, Hannah (When We Were Young and Unafraid) – Keegan

Best Director of a Musical:

Eric Schaeffer, Titanic – Signature

Best Director of a Play:  

Christopher Goodrich, Oblivion – Unexpected Stage

Best Music Director:

Walter McCoy, The Wild Party – Constellation

Best Choreographer:

Ilona Kessell, The Wild Party – Constellation

Best Set Design:

Milagros Ponce de Leon, Ragtime – Ford’s

Best Costume Design:

Debra Kim Sivigny, Big Fish – Keegan

Best Lighting Design:

Rul Rita, Ragtime – Ford’s

Best Sound Design:

Tony Angelini, Big Fish – Keegan

Check out all of our reviews here.

Theatre to the Point Best of 2017: Community Theatre

As the first year of Theatre to the Point comes to a close we wanted to recognize the best of what we saw in 2017. We were paying audience members at a limited number of shows this year and in the future as our site grows we expect these yearly reviews to be a far more comprehensive overview of the best our region had to offer.

Best Musical:

Aida – Reston Community Players

We were blown away by the technical quality of this production that we described as “must see community theatre”

Review

Best Play:

A Bright New Boise – Silver Spring Stage

It’s been a year where local theatres have embraced plays with some pretty dark themes and none were more enjoyable than Silver Spring Stage exploring the rapture inside the break room of a Hobby Lobby.

Review

Best Value Show:

Aida – Reston Community Players

With ticket prices set at $27 we wondered if this show could reach value. Director, Andrew JM Regiec, oversaw a show that smashed that price, scoring 71/100 for a $42 value.

Best Actor in a Musical:

Matt Wetzel, Emmett (Legally Blonde) – Silhouette Stages

Best Actress in a Musical:

Sherry Benedek, Sister Mary Robert (Sister Act) – Cockpit in Court

Best Actor in a Play:

Brendan Murray, Will (A Bright New Boise) – Silver Spring Stage

Best Actress in a Play:

Maura Suilebhan, Anna (A Bright New Boise) – Silver Spring Stage

Best Director of a Musical:

Susan Thornton, Willy Wonka the Musical – Other Voices

Best Director of a Play:  

Bill Hurlbut, Omnium Gatherum – Silver Spring Stage

Best Music Director:

Nathan Scavilla, Sister Act – Cockpit in Court

Best Choreographer:

Kendall Sigman, Hairspray – The Fredericktowne Players

Best Set Design:

Andrew JM Regiec & Dan Widerski, Aida – Reston Community Players

Best Costume Design:

Charlotte Marson, Aida – Reston Community Players

Best Lighting Design:

Steve Knapp & Jim McGuire, Willy Wonka – Other Voices

Best Sound Design:

Robert Pike, A Bright New Boise – Silver Spring Stage

Check out all of our reviews here.

Anonymous

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As local actors, directors and production staff, getting honest feedback for our work has been elusive. Family and friends are always positive and our theatre families offer unconditional support for our work.  We have found the vast majority of the reviews in our region to simply be an extension of our theatre family. As performers we wanted something else from reviews of our work. We wanted help to get better.

When we are not working in or on a production we want to see other people’s work. As a theatre goer how are we to discern, from the vast number of shows available, where we should spend our money when the scale used to rate a show starts at 4 out of 5? As a customer we wanted something else from a review. We wanted something better.

Through many post show conversations, listening to our fellow actors and directors and production team members, we found we were not alone in our desire for something different. The frustrations that we shared were shared by others too. We didn’t want to be the people to attempt something different; we wanted someone else to fill that void. We believe the majority of our peers want honest and constructive opinions but we knew it would be a jolt to some to see a change in the review culture of the region. We were concerned it could potentially adversely affect our ability to continue to work on and off the stage if we were the ones to address this.

By the end of 2016 we decided we couldn’t wait any longer.  We concluded, in the short term at least, the only way we could write the honest and constructive reviews we wanted to write, and continue to work with those who we were writing about, was to do so anonymously. We knew this could call into question the credibility and integrity of the reviews but trusted that the writing, over time, would dispel those concerns. The vast majority of the feedback we have received has been positive. We have received correspondence from multiple directors asking if we would come and review their future shows. These people want honest opinions and those who don’t or who are offended by the anonymity don’t have to read them.

They are, after all, just opinions.

Thank you for taking this journey with us, we genuinely want to improve our art and ensure the public sees the best our professional and community theatres have to offer.

Anonymous.

Time to get #tothepoint

Many theatre reviews in our region have lost their way. The close ties between the reviewers and performers, their websites and theatre advertising, have led to compromised write-ups of local productions that not only deceive theatre goers but breed a culture of mediocrity in our region. If our art is to improve then we must talk honestly and constructively. There is a vast amount of theatre being produced in DC, Maryland and Virginia, and the choice for the paying public is greater than ever – if every show is receiving four or five stars we are not only denying them an informed choice but actively pushing them towards poor value for money.

These reviews have become thinly veiled advertising, comprising of little more than an unnecessary synopsis of the plot broken up by a ‘participation trophy’ approach of praising everyone. This is often dressed up as not wanting to say anything negative, especially about a community theatre show, where the vast majority of those involved will be unpaid. Even this misguided morality is a lie. It comes down to money and egos. The websites want the relationships with the theatre groups and their advertising dollars and the reviewers want to be liked by their thespian friends and welcomed as minor celebrities when they arrive for a show. All of which seems innocent enough until you realize the point of a review is to guide people in the direction of quality theatre. The paying public are a complete afterthought.

Community theatre is a wonderful outlet for many people and those who volunteer their time on and off stage are to be commended. We believe with honest and constructive reviews we can help improve the quality of theatre in our region while giving meaningful recognition to those who deserve it. Whatever the status of the theatre, and those involved in the productions, it’s time to get #tothepoint.

Our reviews will feature a points score out of 100, check out our scoring section, and our unique value for money chart allows theatre goers to make an informed choice.

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