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Theatre to the Point

Theatre #tothepoint for DC, MD & VA

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Matt Wetzel

Theatre to the Point Best of 2017: Community Theatre

As the first year of Theatre to the Point comes to a close we wanted to recognize the best of what we saw in 2017. We were paying audience members at a limited number of shows this year and in the future as our site grows we expect these yearly reviews to be a far more comprehensive overview of the best our region had to offer.

Best Musical:

Aida – Reston Community Players

We were blown away by the technical quality of this production that we described as “must see community theatre”

Review

Best Play:

A Bright New Boise – Silver Spring Stage

It’s been a year where local theatres have embraced plays with some pretty dark themes and none were more enjoyable than Silver Spring Stage exploring the rapture inside the break room of a Hobby Lobby.

Review

Best Value Show:

Aida – Reston Community Players

With ticket prices set at $27 we wondered if this show could reach value. Director, Andrew JM Regiec, oversaw a show that smashed that price, scoring 71/100 for a $42 value.

Best Actor in a Musical:

Matt Wetzel, Emmett (Legally Blonde) – Silhouette Stages

Best Actress in a Musical:

Sherry Benedek, Sister Mary Robert (Sister Act) – Cockpit in Court

Best Actor in a Play:

Brendan Murray, Will (A Bright New Boise) – Silver Spring Stage

Best Actress in a Play:

Maura Suilebhan, Anna (A Bright New Boise) – Silver Spring Stage

Best Director of a Musical:

Susan Thornton, Willy Wonka the Musical – Other Voices

Best Director of a Play:  

Bill Hurlbut, Omnium Gatherum – Silver Spring Stage

Best Music Director:

Nathan Scavilla, Sister Act – Cockpit in Court

Best Choreographer:

Kendall Sigman, Hairspray – The Fredericktowne Players

Best Set Design:

Andrew JM Regiec & Dan Widerski, Aida – Reston Community Players

Best Costume Design:

Charlotte Marson, Aida – Reston Community Players

Best Lighting Design:

Steve Knapp & Jim McGuire, Willy Wonka – Other Voices

Best Sound Design:

Robert Pike, A Bright New Boise – Silver Spring Stage

Check out all of our reviews here.

Review: Legally Blonde

Legally Blonde

Legally Blonde is one of the most enjoyable and uplifting musicals of the last 10 years and the crowd at the Slayton House Theater are ready for some fun. The lower third of the back wall is a brick design, above it is a plain white backdrop and sitting in front is a movable stairway to nowhere. The action gets underway with Serena, Margot and Pilar entering through the house and the rest of the sorority girls take the stage and launch into the incredibly infectious Omigod You Guys. The three girls don’t really have the space they need in the house and although the stage is not particularly wide, it is deep and high enough that it could have accommodated a permanent platform as part of the design – something that the show would have greatly benefited from.

There are so many set changes in the first half of act one alone as we transition to the mall, the restaurant, the Harvard yard and Callahan’s classroom. To its’ credit the show never stops flowing but it feels like hard work for the cast and crew as they perform the numerous set changes. Director, TJ Lukacsina, is also credited as the Set Designer and it’s clear the show would have benefited from a ‘less is more’ approach. A more versatile ‘base’ set would have allowed the staging and the actors to tell the story and take us to those locations with minor changes rather than attempting to construct each scene fully onto a blank canvas.

The lack of levels definitely hurts the choreography of Rikki Lacewell. There is an overall lack of creativity and a repetitive nature to her steps, and we all too often find the cast in straight lines across the stage (even disappointingly from front to back of stage in the Irish dancing section of Legally Blonde Remix where creating some angles would have gone a long way). During Whipped into Shape the house is again utilized and several audience members actually cower in their seat as the jump rope comes dangerously close to them.

Lindsey Landry looks exactly as you would picture Elle Woods and she doesn’t hit a bad note all night. Matt Wetzel does not look exactly as you would picture Emmett but what quickly becomes evident is that he has excellent comic timing and a wonderful tone to his voice that is displayed best as he delivers the challenging Chip on My Shoulder.

There are some other excellent vocal performances in the show, none more so than Michele D. Vicino-Coleman as Paulette. Her rendition of Ireland and its soaring reprise are standout moments although the delivery is far too presentational. Vicino-Coleman also falls into the trap of the acting becoming too focused on the accent, losing some of the feel for the character. Allison Bradbury as Vivienne and Stephen Foreman as Warner both give performances that add to the feeling that for the most part this is a vocally impressive show. Co Music Directors, Nathan C. Scavila and Michael Wolfe, do have some issues with the ensemble, especially during Legally Blonde Remix, and unfortunately the energetic nature of Brooke Wyndham’s (Summer Hill) workout routine for Whipped Into Shape make it difficult for her to stay on pitch during the 2nd half of the song.  It’s a shame for Hill as she can clearly sing and is genuinely funny in her line delivery. Jennie Phelps stands out among the ensemble with her consistent and committed character choices.

There are some moments of confusion in the transitions and this is most noticeably the case after Callahan kisses Elle and she appears to re-enter his office. We’re never clear where the following scene with Emmett takes place and it distracts from a pivotal moment in the plot. The show, however, is ultimately a relative success on the back of the performances of Landry and Wetzel. Wetzel gives the acting performance of the night and Landry finds just the right level of emotion and self-doubt in the heartfelt Legally Blonde that by the end of the show we do feel like we have taken the journey with her.

#tothepoint Rating 60/100

You can view a full breakdown of the allocated points here.

Ticket Price: $20

Value Rating: +$0

With our scoring system and our unique value for money guide we rate this show at $20 meaning it reached the value and expectations of the ticket price. Legally Blonde continues at Silhouette Stage until May 28th.

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